Thoughts, News and Events


Looking back...

2018-19 was a really busy year.

I returned to Greece to play at the International Greek Saxophone Festival in Larisa, this time with my quartet; Quirk, in duo with Kenneth Wilkinson, and also as a soloist. Being with the Greek saxophone community and enjoying the festival is very inspiring: I’m excited to have been invited back in 2020.

I had an exciting weekend performing Ibert’s Concertino da Camera with the London Sylvan Ensemble, a group of amazingly talented and committed musicians. The next day I joined Paul Turner at the Swindon Recital Series 25th Anniversary Concert to perform Walton’s Façade with the MORE ensemble. It was interesting to be a ‘soloist diva’ on the Saturday night and switch to working within an ensemble on the Sunday afternoon. http://www.classicalsource.com/db_control/db_conce...

I invited ensembles to be the focus of my Sixth Annual Saxophone Day at the University of Huddersfield. I welcomed Equinox, Yorkshire Saxophone Choir, and my saxophone student alumni to join me and Quirk. Only a few days later, at the Sounds Like THIS Festival in Leeds I was a soloist again, sharing the billing with inspirational contemporary violinist Aisha Orazbayeva.

There’s also been a lot of travelling. I took my partner Kenneth to Amherst Massachusetts to show him where I studied for two years during my masters degree in performance at UMass. We stayed with Professor Emeritus Lynn Klock, my former teacher. Hanging out with Lynn was great - we did our scales together bringing back student memories! We went to visit the UMass saxophone studio, now in the very capable and gentle hands of Jonathan Hulting-Cohen.

There’s lots more that I won’t bore you with; a wonderful trip to Barcelona with my partner and mum enjoying the works of Gaudí, a recording in the highlands of Scotland with Quirk…

It’s odd that my dad hasn’t been around to see what I’ve been up to.

It’s almost a year since my dad died and I’ll be travelling with my mum to France where I last spent time with him. It’s not planned, as a family we don’t do grand gestures of mourning, but I am glad circumstances mean that I’ll be back in Trédion for a day or two to remember him.

Reflections on the Sixth Greek Saxophone Festival

I’ve spent some time reflecting on my wonderful visit to Lárisa for the Sixth Greek Saxophone Festival. What an amazing and inspirational experience.

Arriving at a beautiful city, staying in a luxurious hotel, and enjoying a welcoming dinner with the organisers was a great start. What I didn’t expect was the sense of togetherness, support, enthusiasm, excitement, and a sharing of ideas that I would experience over the next couple of days.

There were five levels of competition resulting in frantic last minute practising by children and adults of all ages getting ready for their chance on stage. The competitions are set by level of playing, not age, which opens up the opportunity for all amateur players to challenge themselves and take part.
Practically every saxophone teacher from all areas of Greece attend the event, supporting their students. It is a real hive of activity, with set works at all levels and a chance to play with a pianist. It is a fantastic opportunity for all students to aim high and perform as well as they can.
The event has been held in several different cities over the years; the organisers are keen to reflect that this is an event for the whole of Greece and its saxophone community. But the city of Lárisa clearly enjoys hosting the event - on the Saturday evening there was an outdoor ‘Battle of the Bands’ competition. It was warm enough (even though it was still the end of March) for everyone to be outside enjoying the live music, with a healthy dose of competition sprinkled on top!
I thoroughly enjoyed performing in the ‘International Special Guests’ concert. Working with Greek pianist, Stefanos Ntinapogias was a delight - putting together Nigel Wood’s Man-Mou with a couple of short rehearsals is no mean feat! I also played Glass by Graham Fitkin, Trilog by Philppe Geiss, and Estudio Tongolele by Gabriela Ortiz. Estudio Tongolele is from a collection of seven characteristic pieces for solo alto or soprano: ‘Saxiana Presto’, edited by Nicolas Prost and published by Gérard Billaudot. Mimmo Malandra from Italy, and Nino Dimov from Macedonia also performed in this concert.
I had the privilege of working with the students in two workshop sessions. Rarely have I worked with such engaged students, all trying out the techniques I showed them with energy and commitment. I used two compositions by Kenneth Wilkinson to illustrate breathing and support ideas; Fragile Dyads uses multiphonics, and Clockwork is an extremely delicate piece. Both sessions ended with a performance of these works - a tribute to the students’ focus after only an hour’s workshop session!
One of the highlights for me was listening to the Greek saxophonists perform in their concert. The sense of camaraderie, friendship, and enthusiasm for playing was clear. They were playing for each other and for their students. They were showing what they loved to play, sharing new repertoire they had discovered in the last year, and collaborating together. From a quartet made up of a teacher and his students, to trios, duos, solos, a beat box baritone saxophonist, and finally an improvised work using loop pedal and involving anyone who wanted to join in.
Thank you to Stathis, Thanos, Kostas, and the Greek Saxophone Association for inviting me to be a part of this wonderful festival. It was a coming together of the Greek saxophone community, and the positive energy was inspiring. Finally, many thanks to Yamaha for helping to make my visit there possible. I know I will be back to that beautiful country very soon - you won’t be able to keep me away!

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Sarah Markham

SARAH MARKHAM


Saxophonist Educator Conductor MentorSarah is a Yamaha and Vandoren performing artist.

Yamaha
Vandoren
Sarah Markham

TEACHING


Sarah Markham's teaching practice welcomes students of all ages and abilities. Focuses include preparing students for music college, and helping amateur musicians get the most from their playing. Sarah is a specialist in helping students with performance anxiety issues.
Contact me.
Quirk Duo

QUIRK DUO


The Quirk Duo is saxophonists Sarah Markham and Kenneth Wilkinson. Between them they have a performing career spanning sixty years, enjoying many genres including solo recitals, opera, orchestral, jazz, pop and chamber music. The Quirk Duo is a distillation of those experiences, an exploration of possibilities.
Quirk Saxophone Quartet

QUIRK SAXOPHONE QUARTET


The Quirk Saxophone Quartet is made up of like-minded saxophonists:

Sarah Markham - soprano
Kenneth Wilkinson - alto
Chris Jolly - tenor
Sarah Hind - baritone